

Levels are packed with enemy soldiers who shoot you from behind walls and nail you with unerring accuracy over long distances. In particular, the early stages of MorphX are ridiculously hard. In the early stages, though, you're completely in the dark about what you should be doing and are left to just experiment and hope for the best.Ĭonstantly respawning enemies show up out of nowhere, even from rooms you just cleared.Īt the same time, extra frustration on the combat side of things is doled out by intense difficulty.
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After you figure it all out, it's actually kind of cool being able to work out how to best link things together and customize special abilities. Text help is available, but it's vague, and the text itself is presented in such small fonts that you can barely read it-even on a high-def 50-inch screen. Red and green genes are connected with the DNA strings in a power-up screen that functions as a puzzle minigame, which you're left to pretty much figure out for yourself. Whenever you kill an alien or spot one of these access ports, you just have to slam your arm into it to acquire the goodies.īut none of this icky stuff is properly explained. These can also be strung together to give you special skills like health regeneration and shields. As a transforming alien, you can make use of dead ETs and biomass power-up ports to acquire genes and DNA strings that give you on-the-fly boosts. While the design is structured as a straightforward third-person shooter, with an over-the-shoulder camera perspective and basic controls for firing guns, punching enemies, and jumping, some of the game's more innovative aspects aren't explained well. The game sure doesn't make a good first impression.

It's even harder to follow the action, due to some serious issues with how MorphX is presented. There might be an interesting story in here somewhere, but poor dialogue translation from the original Russian and cheesy dialogue (you'll hear "Damn aliens!" and comments about being a "freak" every couple of minutes during combat) make it hard to follow the plot. Then, you're all buddy-buddy with the humans against the aliens. One moment, you're being coddled by human soldiers battling the aliens the next, you're fighting both the humans and the aliens. "Huh?" moments are dotted throughout the story. One of the most interesting aspects of MorphX is that the tough, tattooed protagonist is slowly transforming into an alien (arm first.) Nothing is explained very well, though. As the game begins, you're on the run from this treatment and trying to escape some kind of alien base in the ruins of the city. All that's left is a smoking ruin-even good old Moscow-where you and other people are being infected with some sort of virus that morphs people into insectoid ETs. That clip sets the stage for the single-player campaign (the only mode of play available), which deals with the apocalyptic aftereffects of nasty aliens destroying the planet. You know you're in trouble right at the opening cutscene, which is a dated piece of work loaded with some of the worst acting this side of a Mexican soap opera. One tiny spoiler-you don't look like this when the game begins. So what starts out as an interesting twist on the standard console shooter soon turns into an annoying experience. All of the intriguing ideas are buried under huge problems with things like spectacularly hard difficulty in the early going, confusing level design, and spread-out save points. Russian developer Buka Entertainment's shoot-'em-up makes some good use of this interesting blend of sources, but the whole thing falls apart due to a ton of design flaws and visual shortcomings that make the game look like something from the PlayStation 2 era.


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If you were to cross a third-person shooter with the movie District 9, you might get MorphX.
